
Letter FROM PARIS in November, 2016 FROM MARGO BERDESHEVSKY After… After Fear, the friend says flat voiced as the hollows in collected bones fear, silent as a mouth empty…
Letter FROM PARIS in November, 2016 FROM MARGO BERDESHEVSKY After… After Fear, the friend says flat voiced as the hollows in collected bones fear, silent as a mouth empty…
From Margo Berdeshevsky Living in the Shadows of Winter and all the etceteras… It is long. It is cold. It is complicated. It’s Russian roulette, I nod. It can…
LETTER FROM PARIS, autumn 2014 from Margo Berdeshevsky It’s been awhile. But my eyes are open. As always, I want to join in calling in the light. In believing…
LETTER FROM PARIS, autumn 2013 from Margo Berdeshevsky And These boots were made for walkin’… Is my world going to hell? Probably. Yours? Maybe. Probably. Warning: This post may offer…
Readers were introduced to Margo Berdeshevsky’s rich use of language with her collection of poetry, But a Passage in Wilderness, in 2007. Her recent foray into fiction with the publication of Beautiful Soon Enough demonstrates that she has not abandoned poetry. In this winner of FC2’s American Book Review /Ronald Sukenick Innovative Fiction Prize, published by The University of Alabama Press, we continue to encounter lyricism, fresh imagery and classical allusions, a language that reflects a poet’s sensibility. Comprised of twenty-three stories, ranging in length from one to eight pages, these are artfully sculpted fictions conveyed with astonishing phrasing, yet transmitted with relative ease.
From Margo Berdeshevsky Notes from this side of the Seine: Paris, summer riding into autumn, 2011 How can one be anxious in summer? As a poet, one can. As a…