“You Are In No Position to Criticize Anyone”
From From by Monica Youn | reviewed by Mariam Ahmed
Reviews
What Hope Looks Like When It’s Cut for Survival
Standing in the Forest of Being Alive by Katie Farris | reviewed by Arthur Kayzakian
Poetry as Global Process
Selfie: Poetry, Social Change & Ecological Connection by James Sherry | Reviewed by Abigail Ardelle Zammit
Remembering the Forbidden
A Field of Foundlings: Selected Poems by Iryna Starovoy | Reviewed by Marina Brown
Life Endures Nourished by Itself
Cold Fire by Verónica Zondek, translated by Katherine Silver | Reviewed by Ken Walker
A Poet of Love, A Poet of Praise
A Field Guide to the Poetry of Theodore Roethke edited by William Barillas | Reviewed by Alexander Long
The Simple Vocabulary of Grief
The Child Who by Jeanne Benameur, translated by Bill Johnston | Reviewed by Jaclyn Youhana Garver
Identity Is Not Destination
New-Generation African Poets: A Chapbook Box Set (Saba), edited by Kwame Dawes and Chris Abani | Reviewed by Brent Ameneyro
‘Forgive us, history’
Index of Haunted Houses by Adam O. Davis | Alonso Llerena looks inside this debut collection
Pandemic Poetry
Four Quartets: Poetry in the Pandemic, edited by Kristina Marie Darling & Jeffrey Levine | Reviewed by Alexa T. Dodd
After the Wreckage of Words
Pulling the Invisible but Heavy Cart: Last Poems by Peter Everwine | Reviewed by Alexander Long
The Red Years: A Review by Sarah Katsiyiannis
The Red Years: Forbidden Poems from Inside North Korea is a collection of piercing poems from the author Bandi, who writes under the pseudonym that means “firefly.”
The Broken Face: A Review by Marvelyn Rowe Bucky
In award-winning Canadian poet Russell Thornton’s The Broken Face, he expertly intertwines themes of memory and place with the metaphysical and natural world, often through deeply personal portraits of his own family and experiences. In “Sirens” the speaker’s tiny son is excited by the sound of a fire truck blaring below their apartment window: “wild …
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